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Sheila Cook

       
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Sheila Cook   Sheila Cook
     
The Seashore
The Seashore
Procion dye on cotton
57.5 x 61cm
Canting and brush used for the application of wax. Dyes applied with brushes and squeegees.

Daphne
Daphne
Procion dye on cotton
25cm diameter
My contribution to the Woman's Hour quilt to commemorate women's suffrage. Canting and brush used, with direct application of dye. Hand quilted.
 

I first saw someone batiking when I was a student of Theatre Design at Birmingham College of Art. I watched while my fellow student melted the wax and painted a design onto a costume; subsequently dipping it into a deep Prussian Blue dye bath. The marbled pattern that appeared where the wax has cracked fascinated me, so I bought an instruction book and started experimenting in my spare time.

I originally trained as an art and craft teacher, but also worked on many theatrical productions both amateur and professional, as a set and costume designer. Gradually I spent more and more time working on Batik. I felt that I had come home. My work has been exhibited widely both at home and abroad. I experiment a great deal and like to use both traditional and improvised techniques.


Mountain Landscape
Mountain Landscape
Procion dye on cotton
38 x 38cm
Techniques of masking out, printing with scrunched paper, and screen folded pieces of card combined with canting and brush. Direct application of lighter dyes and a final dark dye bath.

Sea Spray
Sea Spray
Procion dye on cotton
46 x 61cm
Wax dripped through torn paper shapes. Direct application of dyes and discharge techniques.

 
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